When acclaimed pianist and jazz composer, Danilo Pérez crafts outreach music programmes for children living in extreme poverty in his native Panama, a lot more both goes into and comes out of the process than learning the difference between treble and bass clefs and deciphering keys and chords.
“Music is a tool for social development,” Pérez said during the United Nations launch of the Creative Economy Report 2013 Special Edition, “Widening Local Development Pathways”. The
Report focuses on creative economy at the local level in developing
countries. It is co-published by UNESCO and the United Nations
Development Programme (UNDP) through the UN Office for South South
Co-operation.
A UNESCO Artist for Peace, Pérez said effective
musical improvisation involves learning, listening, sharing and taking
turns as well as values such as responsibility as well as individual
development as a soloist and community development when part of a band.
Children who learn music also have enhanced opportunities for study when
they are older. “I have seen how music has changed peoples’ lives,” he
added.
The report “sends out a clear message: the creative economy is both a powerful economic motor, generating employment and income, and, at the same time, a source of social cohesion, identity and dignity,” said Francesco Bandarin, UNESCO Assistant Director-General for Culture. “Owing to this dual nature, the creative economy encompasses the social, economic and environmental dimensions of development, which enable it to be truly sustainable.
The report “sends out a clear message: the creative economy is both a powerful economic motor, generating employment and income, and, at the same time, a source of social cohesion, identity and dignity,” said Francesco Bandarin, UNESCO Assistant Director-General for Culture. “Owing to this dual nature, the creative economy encompasses the social, economic and environmental dimensions of development, which enable it to be truly sustainable.
World trade in creative goods and services is one
of the fastest growing sectors of the global economy, more than doubling
from 2002 to 2011. At the same time, developing countries averaged 12.1
per cent annual growth in the export of creative goods.
Bandarin noted that more and more countries are
investing in culture as a driving force for sustainable development and
cited the examples of China, Brazil, India, Indonesia, where the
cultural sector represents 10% of GDP.
“As the Report […] so clearly highlights, this economic sector offers developing countries outstanding potential, and will likely play an increasing role in our quest for sustainable development post 2015,” said Paulette Bethel, speaking on behalf of the President of the General Assembly John W.Ashe, “Investing in the creative economy reaps vast rewards for our societies - leading to valuable innovation, entrepreneurship, artistic expression, and enhanced quality-of-life. Although the true value that the creative industries bring to individuals and societies cannot always be measured, they are one of the main driving forces of development, bringing transformative change to the global, national and local levels.
“As the Report […] so clearly highlights, this economic sector offers developing countries outstanding potential, and will likely play an increasing role in our quest for sustainable development post 2015,” said Paulette Bethel, speaking on behalf of the President of the General Assembly John W.Ashe, “Investing in the creative economy reaps vast rewards for our societies - leading to valuable innovation, entrepreneurship, artistic expression, and enhanced quality-of-life. Although the true value that the creative industries bring to individuals and societies cannot always be measured, they are one of the main driving forces of development, bringing transformative change to the global, national and local levels.
“The Creative Economy Report 2013 highlights that
investments in cultural capital tend to accrue in larger socio-economic
benefits. The cultural sector is also particularly dynamic and growing
rapidly; in the last decade, global trade in cultural goods and services
more than doubled.
“The cultural and creative industries offer enormous potential for bettering our homes, our societies, our environment and our understanding of those who are different from us. We are committed to creating an inclusive and universal post-2015 development agenda precisely because we believe that prosperity should be available to all. Culture is not only a pathway to increased prosperity; it is a form of prosperity itself,” said Ms. Bethel
“The cultural and creative industries offer enormous potential for bettering our homes, our societies, our environment and our understanding of those who are different from us. We are committed to creating an inclusive and universal post-2015 development agenda precisely because we believe that prosperity should be available to all. Culture is not only a pathway to increased prosperity; it is a form of prosperity itself,” said Ms. Bethel
“Based on the evidence of how many countries and
communities are harnessing the creative economy for development, the
Report identifies opportunities for culture and the sectors associated
with it to be both drivers and enablers of inclusive and
sustainable development, including at the local level,” said Helen
Clark, Administrator, UN Development Programme. She added that creative
sectors are also drivers of inclusive growth. “The report shows how
culture and the creative sectors are driving innovation and
entrepreneurship, and thereby stimulating economic growth, generating
jobs, and raising incomes. The numbers speak for themselves: in 2011
world trade of creative goods and services reached $624 billion dollars;
more than twice the total of a decade ago.”
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